A cultural landscape is a relationship between people and place, not just attractive scenery. At Le Morne, cliffs and isolation mattered because they could shelter people escaping enslavement. UNESCO's World Heritage account recognizes both physical evidence and oral traditions. The mountain's significance also extends into its foothills and coast, even though those spaces do not all have the same formal designation.
Maroonage describes escape from slavery and the efforts to sustain life beyond an enslaver's control. It should not be treated as one identical experience across Mauritius, Jamaica and Brazil. Here the relevant setting is the Indian Ocean, with histories connecting Mauritius particularly to continental Africa and Madagascar, alongside other regions. An Atlantic-only explanation misses that geography.
Three kinds of material require different questions. Archaeological remains invite questions about dating and use. Oral accounts invite attention to narrators, transmission and community meaning. Memorial sculpture communicates a later artistic interpretation. All can matter, but a symbolic sculpture cannot independently prove the precise event it depicts.