A blues house museum offers a geographic anchor for a career built on movement. Rainey’s home at 805 Fifth Avenue in Columbus is associated with her later life, not a surviving stage on which every famous recording was made. Visitors should distinguish the house’s documented residential history, the museum’s interpretation and the wider story of touring performance. One does not prove all the others.
The title ‘Mother of the Blues’ recognizes influence, not a claim that one person invented an entire musical tradition. Blues developed through many performers and communities. Centering Rainey is valuable when it opens those networks to view, especially the work of women singers, bandleaders and songwriters, rather than replacing collective history with a single origin story.